Herbarium of Extinct Plants Square

Extinct Plants Plants are rich in scents that seduce and dazzle. Over the past century, a great many plants and flowers went into extinction. Luckily our adventurers from days past collected the most extraordinary plants and flowers during their travels. From the snowy Japanese mountains to the otherworldly sand dunes of modern-day Death Valley. Hypnotised and enthralled as they were, our adventurers simply had to take nature’s works of art with them on their journey. After drawing them in all their glory, they preserved them in glass vials or pressed them between the pages of their notebooks. Some plants were so big they had to be transported on carts and boats. The flora eventually found its way into the laboratories of the early day perfumers. To be extracted and preserved. Unfortunately, during those days the perfuming craze was at its height, and anything that smelled interesting was extracted, bottled and hastily put away in archives. This caused many scents to be forgotten as time passed on, never to be found. Alas, they were lost forever. Or were they? Digging through scent archives all over the world, in museums and universities, the scents of those extinct plants were miraculously found and collected once again. Aromas from creamy looking flowers that would pop open with a loud sizzle found in what is now the state of California to African jungle ferns as tall as a house, enveloping you in a green sanctuary. Even though most extinct plants will never return, their scents will forever seduce and hypnotise. Tickle our imagination. The Moooi Home Fragrance collection consists of room sprays and reed diffusers and is made from natural ingredients.

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Herbarium of Extinct Plants Round

Extinct Plants Plants are rich in scents that seduce and dazzle. Over the past century, a great many plants and flowers went into extinction. Luckily our adventurers from days past collected the most extraordinary plants and flowers during their travels. From the snowy Japanese mountains to the otherworldly sand dunes of modern-day Death Valley. Hypnotised and enthralled as they were, our adventurers simply had to take nature’s works of art with them on their journey. After drawing them in all their glory, they preserved them in glass vials or pressed them between the pages of their notebooks. Some plants were so big they had to be transported on carts and boats. The flora eventually found its way into the laboratories of the early day perfumers. To be extracted and preserved. Unfortunately, during those days the perfuming craze was at its height, and anything that smelled interesting was extracted, bottled and hastily put away in archives. This caused many scents to be forgotten as time passed on, never to be found. Alas, they were lost forever. Or were they? Digging through scent archives all over the world, in museums and universities, the scents of those extinct plants were miraculously found and collected once again. Aromas from creamy looking flowers that would pop open with a loud sizzle found in what is now the state of California to African jungle ferns as tall as a house, enveloping you in a green sanctuary. Even though most extinct plants will never return, their scents will forever seduce and hypnotise. Tickle our imagination. The Moooi Home Fragrance collection consists of room sprays and reed diffusers and is made from natural ingredients.   Note: This Design might slightly differ in crop or part of design when choosing a size. This is done by designer to make sure resolution and design are optimal for each size and shape. If you like to see the design of your choice scroll through the images below main visual.  

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Liquid Layers Tulip Organic

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Tulip Round

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Tulip Rectangle

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Marl Organic

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Marl Round

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Marl Rectangle

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Pebble Organic

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Pebble Round

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Pebble Rectangle

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Ara Organic

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Ara Round

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Ara Rectangle

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Agate Organic

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Agate Round

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Liquid Layers Agate Rectangle

Always in search of new design directions and techniques, Claire Vos asked herself the following question; what happens when you decontextualize the versatile shapes and colors of nature, morphing and liquifying it into new patterns? Imagine a carpet collection inspired by the ‘objects of nature’, in which each individual design highlights a different mineral, organism or animal, such as the ‘marl stone’, the ‘tulip flower’ or a ‘Ara bird’. In this series, nature becomes fluid, and the shape of each carpet is dictated by the pattern of its original inspiration. With the ‘Liquid Layers’ series, Claire Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design that surprises layer by layer.

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Hortensia

Based on the genesis module of the Hortensia Chair textile, Andrés explores the volumetric potential of a flat support. In this way he arrives at a composition that generates a sensation of being laid on a soft mountain made up of thousands of Hortensia petals.

  repeat width x length 394 x 394cm | 155.12″ x 155.12″

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Hortensia – Square

Based on the genesis module of the Hortensia Chair textile, Andrés explores the volumetric potential of a flat support. In this way he arrives at a composition that generates a sensation of being laid on a soft mountain made up of thousands of Hortensia petals.

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Hortensia Rectangle

Based on the genesis module of the Hortensia Chair textile, Andrés explores the volumetric potential of a flat support. In this way he arrives at a composition that generates a sensation of being laid on a soft mountain made up of thousands of Hortensia petals.

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